Happy Summer all!
I’m ecstatic to share that, as part of the Artists’ Archives initiative, I’m spending the next three months working as an intern in the Archives department at the Georgia O’Keeffe Museum Research Center in Santa Fe, New Mexico.
The Georgia O’Keeffe Museum is a single-artist institution dedicated to the life and work of Georgia O’Keeffe (1887-1986). The art collection reflects O’Keeffe’s experience primarily in northern New Mexico, Texas and New York, comprising over 3,000 oil paintings, watercolors and drawings. In addition to her art, the Museum also maintains two historic properties owned by the artist in Abiquiu and on Ghost Ranch, roughly an hour north of Santa Fe.
The Museum recently opened an exhibition on Georgia O’Keeffe’s Far Wide Texas, part of the installation of Becoming A Modern Artist. Portions of the collections are also on loan to the Tate Modern for its upcoming exhibition Georgia O’Keeffe and The Harwood Museum of Art for its exhibition Mabel Dodge Luhan & Company: American Moderns and The West.
Besides the Museum proper and the historic houses, the O’Keeffe campus (as the staff calls it) extends to the Education and Conservation departments, as well as the Research Center, which houses the artist’s Library and Archives. The relationship between Curatorial, the Registrar and the Archives is especially close-knit. Even the interns benefit from this team mentality; staff members throughout the campus have extended invitations for me to shadow them and join their interns for relevant events. As part of this, I will sit in on inter-department staff meetings, join both the Registrar’s interns and the library staff for cataloguing at the historic properties, tour the galleries with Curatorial’s drawing interns, and meet with the director of the Research Center for a glimpse into the planning for an upcoming forum for single-artist institutions.
This year, the Museum focused the arrangement of its galleries around themes, which accommodates display of the personal effects of O’Keeffe, which are the purview of the Archives. Thus, Curatorial and Research Center staff are navigating a new relationship that fosters increased coordination of collections. As a nearly life-long fan of the art and aesthetic of O’Keeffe, I’m thrilled to act as a fly on the wall while the two departments work out the kinks, such as what to do if a researcher presents a compelling need for an archival item that’s being housed in the galleries, or if another museum requests the item for an exhibition.
The scope of the Archives covers O’Keeffe’s life and artistic practice, American Modernism as it relates to O’Keeffe and her circle (including her husband Alfred Stieglitz), local histories relevant to O’Keeffe and her interests, and institutional history for the Museum. Currently, the Center’s archivist, Liz Ehrnst, is reviewing the collections development policy to tighten the scope even more on materials not just relating to, but significant to a deeper understanding of O’Keeffe and her artistic practice.
[for the rest of the post, click: Institutional Internships Commence]